Rabindranath Tagore’s elder brother Jyotirindranath Tagore, a Western educated bright young man from the 19th century Bengal met the octogenarian Lalan Fakir and drew a portrait of the poet saint in the latter’s houseboat afloat on the river Padma. Jyotirindranath, an urban intellectual exchanged views with the man of native wisdom. Their exchange of ideas forms the cinematic narrative of this film.
The narrative is a saga of the life and time of Lalan Fakir and the liberal sect of ‘Bauls’ who lived a life of high order in an otherwise superstitious 19th century Indian society. Lalan inherited the best of the liberal and enlightened tradition of Hinduism, Buddhism and Islam to develop a philosophy of life which was extremely secular and tolerant. Thus, he became an easy prey for the fundamentalists from the Hindu and the Muslim institutions. The Bauls were the parallel stream flowing freely in the heart of rural Bengal when men like Tagore were germinating ideas of the Bengal Renaissance. The love and compassion of Lalan is relevant more than ever in today’s world of intolerance and hate.
|Moner Manush (Bengali movie with English subtitles) – for shipping within India ONLY||Rs.350|
|Moner Manush (Bengali movie with English subtitles) – for shipping outside India||Rs.750|